Tag Archives: writing

Coming down from a Conference high.

Well, Conflux9 is done and dusted and I thought maybe I should blog about the experience before I start forgetting things.

It was the first time I’d been to anything even like a writers’ conference and definitely the first time I’d stayed at the same hotel. Once I’d checked in, then found the conference registration desk and registered, I loitered in the foyer along with other attendees, making new friends and gradually letting people find me who I knew online, mostly from Twitter. It helped my Twitter avatar was a real pic of me, which was not entirely deliberate.

That first evening also had the panel I was on. I’d seen how panels worked at events run by the NSW Writers’ Centre, so I knew how they worked: they’re basically a conversation in front of an audience. My panel was about Life Transitions In Fiction, although the full title was longer. I can speak to how story is important for turning children into adults, which was why I volunteered. Other members on the panel were interested in how birth and death are depicted in speculative fiction. It turned out I didn’t really need the notes I’d prepared and in fact used almost none of them! Jack Dann was utterly captivating telling stories of the Sioux and how they do initiation, but Jodi Cleghorn and Helen Stubbs were no less interesting, too. I’d like to think we provided an interesting panel. I would have also liked it to have been later, as it was only by the second afternoon that I felt properly part of the conference.

It was also the second day that Patty Jansen finally found me. Patty was the person who first invited me to Conflux all those months ago and I’m stoked we had several good conversations about writing and life as a writer.

It was on the second day that I remembered how to live-tweet panels. This involves tweeting pithy grabs during the panel, suitably tagged. I’m glad I didn’t have any of my followers complain about me periodically flooding their feeds with my tweets, but one thing I did quickly notice is that it gained me a lot of new followers! I think I estimated at least 30 people from the conference followed my Twitter account over the four days, almost all of which I the followed back. This also meant that after it was all over, some of us could keep talking to each other even as people were making their way home. It kind of made the conference last just that little bit longer, in a way.

There are many things I learnt, and it would be boring and tedious to try to list them all here. But one of the things that really stands out is just how non-elitist the writing community is. Everyone is willing to give a hand to those alongside them and coming up behind them. Writers seem to love it when people want to know what they know and also like hearing how differently you approach the same problems. In fact, it was all as much a conference of ideas as writing, because writing – and especially speculative fiction writing – needs ideas more than perhaps almost any other genre. And putting ideas together breeds other ideas. Fact.

We also had a lot of fun. There were numerous opportunities to dress up as little or as much as you wanted – the theme was steampunk, after all. But the panels were often times for not just seriously interesting discussion, but seriously funny discussion, too.

I am so glad I went.

 

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The story is stuck

Ugh.

I have a wonderful starting scene that sets up a lot of promise, especially what my hero thinks about a few key things. I have an outline of where I think I want to take him, mostly to challenge what he thinks about what I’d already revealed. And I have a few more scenes that start the journey.

Problem is, I’m having trouble making this work.

I find it difficult to write a story in patchwork. I prefer to start at the beginning and finish at the end. Not all my stories happen completely that way; there has been a short story where the last scene was written before I’d finished the third last. But mostly I don’t like to leave gaps as I write.

And that’s why I’m struggling. I need to get my characters past the city that they don’t belong in so that the rest of the story can happen. But coming up with things other then deus ex machina is proving oddly difficult. I mean, the hero wants to go to this city, but he’s a farmboy and really has no realistic idea of what a city is like. His pregnant wife is following along, but she doesn’t want to go to a city. Besides, there is a supernatural reason she won’t survive in a city, too. Have I mentioned this is a fantasy adventure story?

I think I need to refresh my memory of my hero’s character. The opening chapter was written months ago, and I think he was a bit more feisty than I’ve portrayed later. I mean, he isn’t supposed to be the sort to follow along behind others: he does decisive, and I’ve robbed him of that. Ah. Yes, he needs to clash hard with the two mercenary friends he’s acquired because they know cities and he doesn’t.

And that’s not even taking into account the wider story where there are (so far!) at least three groups of people looking specifically for him. And he not only has no idea this is happening, but would have no clue as to even why. I have been calling him my hero for a good reason!

So I think he needs to be presented with the fact that staying in the city is the worst thing he can do. Now to actually put in my story why.

Thank you, Internet, for listening!

 

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Where is the quest?

Sometimes a work of fiction doesn’t want to work, despite the writer’s best efforts and intentions. The world-building is proceeding apace, the descriptions are gelling, the dialogue is just flowing… but what about the story? This blog was called “Just Add Story” in part because that’s the part I have the most problem with when writing.

My current Work-In-Progress has a protagonist who doesn’t know he needs to do something. I’m discovering that that is a difficult place to write from. First he has to be convinced, in story, that there is a Noble Cause to commit his life to. And then he can Chase After It. But someone else needs to kick him along in the first part otherwise he’ll find a place to farm And That Will Be That.

I was reminded of the need for the hero to have a quest by Neil Gaiman. I started reading Stardust today. By the time I’m just 20% of the way in to the novel, the hero has a Quest and has set off to fulfil it.

I need to give my protagonist a quest to follow. And I need to give it to him earlier than I thought I would need to.

 

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The unexpected break

This is what you look like right now by Abstru...

This is what you look like right now by Abstruse Goose (Tell me I’m wrong) (Photo credit: dullhunk)

First of all, apologies to those who were wondering if this blog seemed in danger of being abandoned. It was always intended to be a low-volume blog so that if I had a week or more where I didn’t have anything to say, then I wouldn’t invent something pointless to say.

But what has happened is that I’ve been writing other things, non-fiction things and since this blog is about fiction writing, there hasn’t been much to say here. And just to make things just a little more interesting, I got a hardware upgrade at work. Instead of a powerful desktop computer, I now have a powerful laptop. Unfortunately, lugging two laptops to and from work is not going to work. And I’m not sure I want to put my writing on the work lappy. Fortunately, I do have a secure place to put my work laptop overnight at work; it just means I have to plan ahead a bit more if I want to work from home.

So whilst I’m figuring out how to sort out these logistics, my fiction is taking a bit of a break.

I’m a little stuck, anyway. I think I need to find some inspiration to work on other parts of the story and come back to this big roadblock later. This could also mean writing more short stories that may or may not be in the same world.

Which segues nicely into this comic from AbstruseGoose about ideas.

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The internal editor will not be silenced

I am thinking that that is actually a good thing. For me.

When an aspiring writing makes friends with other writers, there is going to be a comparison of writing styles. It is inevitable. It will happen sooner or later, so don’t be surprised when it does. I mean, why have you joined a writing group? Invariably the reason given is to learn from other writers.

And not just writing style, but also writing practices. By that I mean what happens between discovering an idea to begin a story and deciding that it’s finished. Mostly. Well, for this week at least.

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Review: The Siren

It’s been a while since I reviewed a book, but the truth is I have been doing more writing than reading in the last twelve months. But I did manage to finish one. It was The Siren by Tiffany Reisz. Most of my readers will either be aware of it, or have read it.

However, do not be fooled: as well as the obvious label “erotica”, this is a multi-layered story, rich with complex, flawed characters. It is dreadfully easy to find writing on the Internet that someone, somewhere will find titillating. It is rather less easy to find fiction that is actually written well. This work  is two levels above that. At least. And there may be spoilers ahead.

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True Character

When people encounter you, do they see the real you?

A lot of the time, they probably won’t. Us human beings in this modern, western society are generally adept at projecting a persona to those around us. So the “you” at work isn’t the same as the “you” at church and neither are the same as the “you” to your cousins. That is, if you have cousins. Or go to church. Or have a job. Can be a bit of a problem when these worlds collide.

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